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paperimages:

Karen Offutt

paperimages:

Karen Offutt

(出典: yokotanji)

*72
artandopinion:

Roża Saaronu
1923
Jozef Mehoffer 

artandopinion:

Roża Saaronu

1923

Jozef Mehoffer 

(artandopinionから)

urhajos:

‘Colorful Peacock’ by Tobe Fonseca

urhajos:

Colorful Peacock’ by Tobe Fonseca

*79
cavetocanvas:

Honoré Daumier, Wandering Saltimbanques, c. 1847-50

cavetocanvas:

Honoré DaumierWandering Saltimbanques, c. 1847-50

cavetocanvas:

Honoré Daumier, At the Theater (The Melodrama), c. 1860-64

cavetocanvas:

Honoré Daumier, At the Theater (The Melodrama), c. 1860-64

cavetocanvas:

Honoré Daumier, A Man Reading in a Garden, c. 1866-68

cavetocanvas:

Honoré Daumier, A Man Reading in a Garden, c. 1866-68

cavetocanvas:

Honoré Daumier, The Painter at His Easel, c. 1870-75

cavetocanvas:

Honoré Daumier, The Painter at His Easel, c. 1870-75

artandopinion:

The Mondona Singer
circa 1884
Giovanni Boldini

artandopinion:

The Mondona Singer

circa 1884

Giovanni Boldini

(出典: berkshirelinks.com)

cavetocanvas:

Honoré Daumier, The Drinkers, n.d.
From the Metropolitan Museum of Art:

This painting, which was first exhibited in Paris in 1861, bears some resemblance to an illustration by Gavarni that was published twenty years earlier. The escape that alcohol offered to the poor is typical of the social themes Daumier explored throughout his career. The first owner of this work was the landscape painter Charles Daubigny.

cavetocanvas:

Honoré Daumier, The Drinkers, n.d.

From the Metropolitan Museum of Art:

This painting, which was first exhibited in Paris in 1861, bears some resemblance to an illustration by Gavarni that was published twenty years earlier. The escape that alcohol offered to the poor is typical of the social themes Daumier explored throughout his career. The first owner of this work was the landscape painter Charles Daubigny.